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Sci-fi fusion trio Consider the Source defy easy categorization. If intergalactic energy beings, upon their initiation into an order of whirling dervishes, built a pan-dimensional booty-shaking engine powered by psychedelic math…it would sound like a cut-rate CTS cover band. With their blend of progressive rock and improvisatory jazz, soaked in Indian and Middle Eastern styles, CTS blends disparate elements into an utterly original whole. A relentless touring schedule has earned them a fervent following around the world, with fans ranging from jam-band hippies to corpse-painted headbangers.
Their latest album, You Are Literally a Metaphor, is the culmination of a fifteen-year musical journey. Packed with the same fury and dazzling virtuosity of their previous work, Metaphor is also a portrait of three musicians reaching new levels of maturity.
From the bluesy swing of “When You’ve Loved and Lost Like Frankie Has” to the ethereal electro-synths of “Sketches From a Blind Man”, CTS’s minimalist pop instincts stand shoulder-to-shoulder with progressive metal and freewheeling improvisation in a true expression of their omnivorous musicality. Three of Metaphor’s nine songs are Eastern European traditionals, but could easily be mistaken for the band’s original tunes, so singular has their sound become. CTS retain their signature fiery maximalism while pushing the hooky, anthemic songwriting to the forefront. Bassist John Ferrara’s new Taurus bass pedals and guitarist Gabriel Marin’s new custom Vigier double-neck guitar add new dimensions to the band’s already diverse sound.
This is an album born of comfort and growth. In the five years since World War Trio, the band has toured extensively, Marin and Ferrara have released side projects, and drummer/percussionist Jeff Mann has gone from a relative newcomer to a road-hardened veteran. After all this time, CTS knows how to create space for each other, how to finish each other’s musical thoughts and sentences, how to think as three individuals but speak with one voice. You Are Literally a Metaphor is a statement of confidence, an assertion of identity from a band with no reservations and nothing to prove.
CTS have performed in a half-dozen countries across three continents. They have shared the stage with a wide variety of artists, including: Victor Wooten, King Crimson Projekt, Wyclef Jean, Ozric Tentacles, Soulive, The Disco Biscuits, Papadosio, Turkuaz, Pigeons Playing Ping Pong, Wayne Krantz and many others. They have performed at festivals and events including: Electric Forest, Peach Fest, Gathering of the Vibes, Resonance, Summercamp, Shakori Hills, ProgDay, and Progtober. You Are Literally a Metaphor is available at considerthesourcemusic.bandcamp.com
Consider the Source
NYC trio Consider the Source defy easy description. If intergalactic beings of pure energy, after initiation into an order of whirling dervishes, built some kind of pan-dimensional booty-shaking engine, powered by psychedelics and abstract math, it’d probably just sound like a CTS tribute band. Drawing from progressive rock, fusion and jazz, with alien sounds soaked in Indian and Middle Eastern styles, CTS blends disparate parts into a striking, utterly original whole. Dubbed “Sci-Fi Middle Eastern Fusion”, the band’s music strikes a rare balance between cerebral and emotional, intellectual and primal. A relentless touring schedule has won the band a fervent following from California to Israel, with fans ranging from jam-band hippies and jazz cats to corpse-painted headbangers and prog geeks.
Formed in 2004, Consider the Source features Gabriel Marin on fretless double-neck guitar, bassist John Ferrara, and drummer/percussionist Jeff Mann. Called “the guiding light for his generation of six-stringers”, Marin channels the mystical fury of McLaughlin and Coltrane into wailing melodies, kaleidoscopic soundscapes and boneshaking riffs. With a background in classical musics both Eurpoean and Indian, and an instinct for avant-jazz and destructive metal, Marin’s hypnotic fusion of styles is ever unpredictable. Ferrara’s propulsive, percussive attack, equally suited to simple grooves and impossible chords, can ground the music or launch it into space. His madcap gumbo of slap bass, Indian rhythms, earthy minimalism and complex tapping constantly pushes into strange new worlds, whilst still dropping thick booty-clap beats. Underneath them lies Mann’s rolling thunder; dense rhythmic architecture built from pure swagger and bounce. Half double-bass prog-metal, half crackle-pop Buddy Rich swing, with African and Balkan swirls, Mann’s muscular, freewheeling polyrhythms are the engine fuel for Consider’s multiversal mischief. Even when not improvising, Consider’s music is always a conversation, a roiling stew of dynamic interplay. Each member of Consider the Source alternately leads and follows, spars and assists; in any single song, alliances are made and broken, bargains struck and divorces finalized.
Touring from coast to coast, as well as Europe and the Middle East, has not only earned the band thousands of fans, but has allowed them to perform with wide variety of well-known artists, including Victor Wooten, Wayne Krantz, King Crimson Projekt, Kris Myers (Umphrey’s McGee), Wyclef Jean, Andy Statman, Grace Potter & The Nocturnals, Jacob Fred Jazz Odyssey, Dumpstaphunk, Keller Williams, George Porter, Jr., Jeff Sipe, Panzerballet (Germany), Eatliz (Israel), Freak Kitchen (Sweden), Morglbl (France), and many others. They have performed at numerous festivals and events, including Catskill Chill, The Big Up, Burning Man, Sun Seekers Ball (Canada), Mid-Summer Meltdown, Rootwire, the NYC Fretless Guitar Festival, and the NYC Gypsy Festival. The band’s newest album, “F**k It! We’ll Do It Live” is available from considerthesourcemusic.bandcamp.com.
I am a writer and an artist, a musician at heart. A lot of you who have heard me have only heard the material I’ve wrote for my band The Trip (thetripmusic.com). Take a second to check us out if you haven’t already. This is my solo project consisting of some of my favorite songs that I didn’t feel were right for The Trip.
The songs were first played acoustically for a lot of my close friends, sitting around bonfires singing happy songs I’ve wrote or just hanging out and putting music in the air. This is where all of my friends convinced me that these are really great songs and I should do something more with them. At first, I didn’t want to divert focus from my main priority, The Trip. But I have since concluded that these are some of my favorite songs I’ve wrote and I want to document them professionally while they are fresh; and share them with my family, friends, and fans abroad.
I hope you enjoy my music and lyrics, the ultimate goal is to make you happy with a song. I feel that is the most powerful thing anyone could do with sound. Even if it is the most simple song with the most plain lyrics, if it makes you happy I feel that the song is a success. And if it does not make you happy I hope you can at least relate to the meaning of the song, and think of a time when you had felt that exact way.
The Trip is a band of three, young well-rounded musicians in every way. Everywhere I see them play and when they perform at my radio show, their passion and desire for music really hits home with anyone and everyone that is listening.” This is what well known and respected Indy DJ, Penny Lane had to say of The Trip after they promoted an upcoming performance on her daily radio show. This was only months after the formation of the band and they were glad to already have accomplished so much. Their top of the line radio-quality EP recorded with award winning producer, Corey Miller, sold over 500 copies and the band wasn’t even a year old. Each member knew that this was more than just an after-school hobby, their music was selling on ITunes and Spotify and fans were sharing it with friends and family. Before The Trip knew it, they had garnered a fan base like no other and a reputation of releasing solid, flawless recordings and performing with an enormous amount of energy and clean sound.
It all started when the band’s writer and front man, Dacota Muckey, saw the “Huxford Brothers” performing at a local all ages club in Fishers, Indiana. Jake and Riley Huxford were a bass and drum duo that made an audience in awe at what a couple of brothers could do with nothing but four strings and some drums. Jake’s unique bass riffs with Riley’s extremely clean drumming caught Dacota’s ear immediatley. The three spoke after the show and after a few jams, The Trip was born.
The band wasted no time getting into the studio. They recorded their first 4 song EP with award winning producer, Corey Miller, at The Lodge in downtown Indianapolis. The CD was a huge success and sold over 500 copies. Bars and venues started to become very interested in the buzz The Trip was producing in the music world. The three piece quickly got to gigging and promoting their unique sound. The owner of Bloomington’s Players Pub had this to say after experiencing The Trip; “We run a music house with 14 acts a week. My employees hear a lot of bands. Several of them bought “The Trip” CDs & insist that we keep their CD in the house music rotation. These 3 young players love to play and it shows.”
Their music has now been performed in hundreds of bars and festivals all over Indiana from the Bluebird, to the Cornstock Festival and more. They have made appearances on radio stations all over Indy including WTTS in Bloomington, Giant 96 Real Radio in Shelbyville, Radio Free Indy Online and more! Their music is being sold at a rate they can hardly keep track of. This was all accomplished by a very young 3 piece that has hardly been together a year. It’s very clear that The Trip is going big places and their music is the driving force behind their success.
Back in studio, Dacota, Jake, and Riley are hard at work on producing their masterpiece. “This new music, it’s something magical. The hardest part of working on it, is not being able to show people quite yet,” recalls Dacota. The Trip is releasing their new EP with a huge campout/festival on the beautiful property of Stable Studios is Spencer, Indiana on Saturday, May 9th. “Its like a make-shift Woodstock. People who haven’t got a ticket will realize what they’re missing last minute and flock to Spencer.”
Anyone who is introduced to The Trip in the musical world immediately realizes that they a very serious musical force. “They have the fullest sound I’ve ever heard a 3 piece have,” claims Owner of Stable Studios, Chris Kinnick. Expect nothing but big things from The Trip. They are sky rocketing at an exponential rate and their music isn’t just getting a big hype here in Indy, but all over the country. Stable Studios just recently launched an online radio station the plays The Trip’s songs all over the world!
Be a part of the amazing things being accomplished by The Trip. Keep checking into their website and other social medias to keep up to date on everything in the world of The Trip.
September 28, 2019 09:00 PM
 03:00 AM
Sat, Sep 28, 2019 
Consider the Source: Metatour 2019 wsg/ Dacota Muckey & The Trip – Saturday, September 28th
The Mousetrap Bar & Grill 5565 N. Keystone Ave., Indianapolis, IN. 46220