Flatland Harmony Experiment, Bone Jugs N Harmony, Whipstitch Sallies – Friday, January 9th

Flatland Harmony Experiment, Bone Jugs N Harmony, Whipstitch Sallies - Friday, January 9th

Flatland Harmony Experiment

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About

Flatland Harmony Experiment

Flatland Harmony Experiment is a high octane three piece vocally driven string band from Indianapolis Indiana. Flatland Harmony Experiment dances with a single large diaphragm condenser microphone to share their music with audiences. FHE’s music and stage show drips with intensity and passion and it is easy to tell they love what they do. The trio trades lead vocal and lead instrumental responsibilities through a large and diverse original musical pallet. The instrumental mix of mandolin, banjo, and upright bass allows ample space for musical experimentation and expression. Song craft is very important to FHE. Stylistically you can expect Flatland Harmony Experiment’s original music to flow from tunes that echo the founding roots of bluegrass to progressive gypsy and all places in between. Conscious lyrics, a thread of harmony, and instrumental virtuosity permeates all of the original music of the Flatland Harmony Experiment. This band dares to be labeled simply as bluegrass or americana.

Since its beginnings in 2011 the Flatland Harmony Experiment has played over 1000 dates to enthusiastic audiences numbering into the thousands for people all across the country. FHE was excited to be given the very high honor of being selected as a finalist in the 2013 40th Annual Telluride Bluegrass Festival band competition. This allowed FHE to play for thousands on the main stage of the Telluride Bluegrass Festival. In 2016 FHE was also honored to support Bernie Sanders for his downtown Indianapolis rally to a crowd of 8000 enthusiastic supporters.

In six years FHE has earned a large audience with their music. Flatland Harmony Experiment has had over 1000 downloads from radio programmers around the globe supporting their three original recordings and physical sales of recordings number well into the thousands as well. 2018 looks to keep the band moving. FHE rigorously continues to play 100’s of dates across the country and with key festival performances including the John Hartford Memorial Festival, and Merlefest. FHE is also wrapping up their fourth full length studio project and expects to release and begin tour support for the project in the spring/summer.

The Flatland Harmony Experiment is:
Sean First on Upright Bass
Kris Potts on Mandolin
Johnny Plott on Banjo
What people are saying about the Flatland Harmony Experiment:

  • “The Flatland Harmony Experiment just keeps getting better and better. The old fashioned way, through lots of hard work! They have good songs and a good vibe. They can sing and can play, and deserve to heard. Great musicians and great guys.”  -Danny Barnes
  • “Hailing from different backgrounds in the music industry, they are rock-solid players and vocalists who bring their experience and maturity together to create a uniquely organic musical landscape. Playing with the subtleties of acoustic string instruments and human voice, Flatland Harmony Experiment delivers a dynamic performance that will take the audience from sweet harmony to spaces of driving rhythm within each performance. Playing each show like their last, this is a project that must be experienced.”
  • ” True artists that can entertain most any crowd. These three possess the talent both vocally and instrumentally to cause any age group to tap their feet or flat out get up and dance. Both jam band and bluegrass crowds alike will have trouble sitting still.”

EP and CD Releases

  • “Eleventh Hour” 2011 (EP)(CD Baby)
  • “On Our Way” 2012 (CD Baby)
  • “A Night With Woody” 2013 (Live)
  • “The Great Squirrel Stampede” 2014 (CD Baby)
  • “Swamp’n” 2015 (Live)
  • “Live from the Mousetrap” 2015 (Live)
  • “Chrysalis” 2015(EP)(CD Baby)
  • “Sundance” 2017(CD Baby)
  • “What’s Familiar” 2017(EP)(CD Baby)

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Bones Jugs N Harmony

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About

Bones Jugs N Harmony

Bones, Jug, Xylophone, kazoos, steel pan resonator guitar, banjo, double bass, drums, all sorts of noise makers. These are just some of the instruments we play around with at our shows. The group began with the dream of throwing an energetic party with acoustic instruments, a high quality, clearly audible musical experience that could be had on street corners, on the beach, in living rooms, or amplified in a club.

We started with some old xylophone rags, featuring Cody Jensen, and have since built a large repertoire of originals and covers, old and new. As old as Leroy Carr’s “Barrelhouse Women”, Memphis Jugband’s “Sugar Puddin’”, and the classic “Salty Dog Blues,” and as new as the Beastie Boys’ “Girls,” Bone Thugs N Harmony’s “Crossroads,” and Abigail Washburn’s “Divine Bell.” We are highly influenced by jugbands and string bands, both new and old. We also perform calypso tunes featuring Tim Berg on steel pan, Mississippi John Hurt tunes featuring the guitar work of JP Goguen, and a slew of bluegrass standards and not-so-standards. With our extensive collection of instruments, our large spectrum of influences, and our quirky and thoughtful songwriting we embark on our journey of creating a new sound to share with all who will lend an ear.

We pride ourselves on being seriously silly, it’s a commitment to fun. We want to party. We want, we want to party. With you. And your friends. And other people that neither of us know. We’re hoping we can all dance till we fall down, sing till our voices cannot be found, and smile till our faces fall off. Bones.

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The Whipstitch Sallies

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About

The Whipstitch Sallies

The Indianapolis Star says that “The Whipstitch Sallies have been creating a buzz on the local bluegrass/folk music scene.” Their lively, energetic performances engage crowds in festival settings as well as intimate venues. All the girls sing lead and harmony vocals, and this versatility is a strength for the group’s rootsy Americana sound. Allie Burbrink brings driving rhythm and picking on acoustic guitar and banjo while Kat Erickson holds down the groove on upright bass. Meanwhile, Sam Roberts’ powerful mandolin style and Katie Burk’s spirited fiddle leads show their diverse influences – from punk to old-time. The Back Road Radio Show affirms, “These…delightful young ladies combine incredible vocal harmonies and skillful, hi-power picking into a potent folk and bluegrass mix.”

**Winners of the Shady Grove Fiddle Festival band competition, July 2011**
** Fiddle player and vocalist Katie Burk won third place in the Prairie Home Companion Duet Competition, October 2012**

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