Past Mousetrap Concerts:
Past Mousetrap Concerts:
IndyMojo is partnering with 20 Past 4 and More to bring you Indy’s most spectacular 420 event.
** 3 stages chockfull of talent! **
~> Good People Good Times Music Festival 2017 Stage:
– Located on the patio of the Mousetrap
~> 20 Past 4 and More Stage
– Located in front of 20 Past 4 and More
If you’re interested in participating in the event this year, please contact us immediately:
Performers: Matt (at) indymojo.com
Sponsors: Matt (at) indymojo.com
Vendors: Ellie (at) indymojo.com
– Food, clothing, and most merchandise acceptable
Thurzday, April 20th
5565 N. Keystone Ave
Ticket info coming soon!
Flatland Harmony Experiment is a high octane three piece vocally driven string band from Indianapolis Indiana. Flatland Harmony Experiment dances with a single large diaphragm condenser microphone to share their music with audiences. FHE’s music and stage show drips with intensity and passion and it is easy to tell they love what they do. The trio trades lead vocal and lead instrumental responsibilities through a large and diverse original musical pallet. The instrumental mix of mandolin, banjo, and upright bass allows ample space for musical experimentation and expression. Song craft is very important to FHE. Stylistically you can expect Flatland Harmony Experiment’s original music to flow from tunes that echo the founding roots of bluegrass to progressive gypsy and all places in between. Conscious lyrics, a thread of harmony, and instrumental virtuosity permeates all of the original music of the Flatland Harmony Experiment. This band dares to be labeled simply as bluegrass or americana.
Since its beginnings in 2011 the Flatland Harmony Experiment has played over 1000 dates to enthusiastic audiences numbering into the thousands for people all across the country. FHE was excited to be given the very high honor of being selected as a finalist in the 2013 40th Annual Telluride Bluegrass Festival band competition. This allowed FHE to play for thousands on the main stage of the Telluride Bluegrass Festival. In 2016 FHE was also honored to support Bernie Sanders for his downtown Indianapolis rally to a crowd of 8000 enthusiastic supporters.
In six years FHE has earned a large audience with their music. Flatland Harmony Experiment has had over 1000 downloads from radio programmers around the globe supporting their three original recordings and physical sales of recordings number well into the thousands as well. 2018 looks to keep the band moving. FHE rigorously continues to play 100’s of dates across the country and with key festival performances including the John Hartford Memorial Festival, and Merlefest. FHE is also wrapping up their fourth full length studio project and expects to release and begin tour support for the project in the spring/summer.
The Flatland Harmony Experiment is:
Sean First on Upright Bass
Kris Potts on Mandolin
Johnny Plott on Banjo
What people are saying about the Flatland Harmony Experiment:
EP and CD Releases
Eumatik is a living, trance-inducing, funk-blasting, dance mechanism that stimulates the mind by being harmonically innovative and experimental, yet easily accessible in the conventions of modern electronica. What makes their approach to music so interesting is their ability to allure the listener with catchy hooks, slowly lead them outside their accustomed musical boundaries by means of developing harmony, and finally bring them back within a single composition. This is accomplished by fusing a diverse variety of musical techniques that range from jazz theory to 18th century counterpoint. Although their music is thoroughly composed, it contains lengthy sections of improvisation that make every live show unique. Eumatik brings elements of hip hop, funk, trance, jazz, dubstep and disco into ideas that reorder the perception of its own genre-based facade by tastefully covering an incredibly large range of musical concepts. Another important aspect that contributes to their thumb-print sound is their mix of vintage keyboards with ultra-modern sound design and synthesis.
As much of their time off-stage is spent organizing and maintaining a focused outlook on each composition, Eumatik is constantly looking for fresh and innovative ways to use music technology as a tool for improvisation. When they’re on-stage, they strive to keep the crowd dancing while making sure everything is melodically and harmonically interesting at the same time. While performing, the overall form and direction is controlled by Josh Lockwood, who utilizes Abelton Live along with an Akai MPK and APC. Jazz pianist, Ashton Kleemann, is constantly playing signature parts on various keyboards along with a MIDI-keyboard that Josh runs Ableton effects through. This MIDI-keyboard directly interacts with what is being played live to create a bizarre and unique atmosphere of band member communication. Mix in the organic sounds of their live drummer, Derek Shelton, and you hear the UFO-summoning, twist-bopping, trance-inducing, disco-fever-catching sounds that are Eumatik.
The jFET Project began in early 2011 by Producer / DJ “Jangatha.” After over 50 house music releases on some of the most respected labels in both digital and vinyl format, the need to seek fresh sounds was instilled and inspired by the edgy bass music arena. The focus is rather simple, to push fresh hype sounds in any BPM it fits best. jFET’s sounds have been catching on quick. His debut EP reached #15 on the Beatport Dubstep Release charts, and caught the attention of several respected blogs including The Untz. 2012 included a release from Play Me Records as part of the New Blood of Dubstep. With support from international touring acts such as Figure, Ajapai, and Reid Speed, we will likely be hearing much more to come from this eclectic project. jFET: Intergalactic Hitman / Producer / Performer.
Past performances include: Infected Mushroom, Datsik, Zomboy, 12th Planet, Downlink, Delta Heavy, Skism, Terravita, Cookie Monsta, Bare Noize, Mt. Eden, Crizzly, Butch Clancy, Mayhem, High Rankin, Eptic, Ajapai, Cyberoptics, J. Rabbit, Vaski, Mark Instinct, Reid Speed, Sluggo, AFK, Antiserum, Archnemesis, Singularity, & Ill-esha.
Over the last decade, Jin-XS has become a recognizable face in the Indianapolis DJ scene, across a broad spectrum of genres.
Born in Uqbar, later moving to Broad Ripple in Indianapolis at the age of 3, Jin-XS spent much of his youth and teens in the rave, industrial, and hip hop undergrounds, but his work as a DJ began 1999 in Denver, when a cousin taught him the ins and outs of using DJ equipment. Around this time he also began teaching himself a variety of music software. By 2003, he had begun his work with instrumental production and mastering the art of DJing itself, and continues to the present, spinning an eclectic mix of genres in some of Indianapolis’ biggest music venues. In 2009 he opened for “End:The DJ,” the #1 Industrial DJ in the world, at Gencon. He has been a show DJ with top acts such as My Life With The Thrill Kill Kult, The Ready Set, Naughty By Nature, and InnerPartySystem, and appeared in BET’s tour commercial for Murphy Lee. Currently is a part of the G9 Collective, IndyMojo’s DJ crew.
TRILLI, a producer who’s sound lies at the crossroads of Future Bass, Trap & RnB, is an artist who is pushing the boundaries of all of these genres to come up with something new and beautiful.
With a sound that harks comparisons to heavy hitters like RL Grime, KRANE & Ekali, TRILLI is an artist that should be on everyone’s radar in 2017.
From folk to funk! Original songs and jams to original takes on a variety of covers, is what you will hear at one of Derick Howard’s shows!
He performs solo as a “One Man Jam Band” by using an audio sampler to record (Live) loop tracks on his guitar, bass, hand percussion, and vocals to make the sound of a full band.
This “One Man Jam Band” has performed official after parties for acts like Robert Randolf, Victor Wooten, and The Wailers. He has opened up for acts like Gov’t Mule, Eoto, Ekoostik Hookah, Future Rock, and Zach Deputy. He has performed along side acts such as Michael Franti, Keller Williams, The Dark Star Orchestra, Arrested Development, and has performed at festivals including Hyperion(IN)x3, MojoStock(IN), Wuhnurth(IN), Terrapin Hill Harvest Fest(KY), Snuggleween(KY)x2, Hoodilidoo(MI)x2, Resonance(OH)(x2), Tribal Connection(OH)x2, Hoopla In The Hills(OH)x3, Hookahville(OH)x7, multiple different performance art fests(Kinetic Fire(OH)x3, Flow Motion(IN), Flow Down(IN-IL)x2, So. Ill. Flow(IL), and at Good People Good Times Music Festival of which Derick puts on and has headlined along with acts like Turbo Suit, The Main Squeeze, Ekoostik Hookah, Rumpke Mountain Boys, and UV Hippo.
Derick has performed at all types of events and venues besides festivals and official after parties. From The Hard Rock Cafe’s in Chicago and Louisville to restaurants like Apple Bee’s, Texas Roadhouse, Max & Erma’s, and over a dozen locations of the Jimmy Buffet chain Cheeseburger In Paradise. As well as many private events and public events for universities like I.U. and Ball State. Derick has also performed many benefits such as The Relay For Life, The MS Walk, Rock For Riley, and community fundraisers.
Although he performs mainly around the Indiana, Ohio, and Kentucky area, he has performed as far east as Maryland, as far south as Miami, FL., and as far west as California.
Rekoil is a Maryland based producer with a fresh take on bass music. Combining his robotic dubstep and hip-hop influences, you can count on him to serve up the unique palette that you didn’t know your ears were craving: a sound best described as, “Mech-Hop.” His releases via Firepower Records, Rottun Recordings, and Uplink Audio at such a young age are a testament not only to what this producer is capable of, but also to the fact that there’s a bright future ahead of him. Rekoil is out to constantly prove that he’s a force to be reckoned with.