NO BAD IDEAS – HAT SAMPLE SALE STARTING AT 7PM
IndyMojo.com and G-9 Collective are excited to bring you this VERY special edition of your favorite weekly bass session…..
~ ALTERED THURZDAZE ~
with special guests…
“Stanton Warriors’ Bring Me Down is pretty much the perfect garage beat. Everything about that song – the vocal line, the chords, the melody – is totally original.”
DISCLOSURE
“Oh my Gosh, SO good! This is the kind of music that makes you literally want to go mental on the nearest dancefloor. As tried and tested on my living room carpet!”
ANNIE MAC, BBC RADIO 1
“These two Bristol boys first charged, stormed and straight-up invaded the scene back in 2001 with a highly acclaimed debut compilation The Stanton Sessions and since then have continued to dominate and pillage every dance floor and pair of headphones that has come in their wake.”
THUMP, VICE
“Stanton Warriors make bass music; intentionally vague, unpigeonholeable, brilliant bass music.”
NOISEY, VICE
“Their relevance and influence has grown with every year and their Stanton Sessions parties simply reaffirm their position atop the pedestal.”
MTV
“Stanton Warriors always deliver, this latest track just takes it to a whole other level.”
ZANE LOWE, BBC RADIO 1
* Rudy Kizer
Mojo Radio // IndyMojo // G-9 Collective
Stanton Warriors
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About

Since bursting onto the scene with their multi award-winning compilation “The Stanton Sessions” back in 2001, the Stanton Warriors’ irresistible and inimitable sound has consistently remained the soundtrack to some of the world’s biggest and best parties over the past thirteen years; from East London warehouses, Miami boat parties and illegal Detroit raves, to the stages of Coachella, Glastonbury, Burning Man and Ultra, selling out global tours and topping DJ lists along the way.
In the studio, Bristol’s Mark Yardley and Dominic Butler have honed a trademark, uncategorisable sound that is at once all their own, but also utterly indefinable, leading to high-profile releases on XL Records, Fabric, Cheap Thrills, Central Station and Universal, alongside official remixes for everyone from Daft Punk and Fatboy Slim, to MIA and Gorillaz. This phenomenal output and remarkable longevity has ensured the Stanton Warriors legendary status amongst not only their fans, but also their peers, as they remain fresh, original and relevant; obstinately dancing to beat of their own drum and helping to pave the way for new talent.
In 2014 alone, the Stanton Warriors topped the Beatport charts (again), inspired Disclosure’s Grammy-nominated album Settle, got Annie Mac dancing on her living room carpet, opened London’s 3k capacity Building Six club, saw their podcast shoot to No. 3 in the iTunes chart and smashed the stages of Ultra, Supersonic and Glastonbury.
In 2015, Stanton Warriors typically show no sign of slowing down with a brand new album featuring a host of new exciting bass artists such as Cause & Affect (aka Chris Lorenzo & Kane), sold-out tours across the USA, Europe, Australia and the Far East, collaborations on Claude Von Stroke’s Dirtybird label and a slew of exciting releases on their own tastemaker label Punks.
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Lady Bandit
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About

Taking turntables as a debt in 2002, Lady Bandit fell upon this opportunity to DJ, so she took it! Beth said the only way she’d ever stop DJing would be if she stopped having fun or stopped progressing. Now, 12 years later she’s still bangin’ out dance floors throughout the Midwest and beyond. This Lady is known as the “Midwest Breakbeat Queen” and a native of Dayton, Ohio. Her style can be defined as “Sexy Beats” whether it’s Breaks, House or Drum & Bass! Miss Bandit makes sure to always keep the basslines dirty with a side of sexy and funky beats.
Beth’s sound early in her DJ career were original influences with the likes of Producers, DJ ¬Fixx, Icey, Tony Faline, Infiniti, Sharaz & nameless others in the “Funky Florida Breaks” movement!! Now her style has graduated to a much more sophisticated and deep flavor of sexy grooves known as “Nu Skool Funk or Tech-Funk” that UK Producers, Lee Coombs, Meat Katie, Dylan Rhymes, Elite Force, Stanton Warriors, Plump DJ’s and Krafty Kuts bring today.
Lady Bandit has had the honor of sharing the stage with such amazing EDM DJ’s as Paul Oakenfold, Dirty Vegas, Bad Boy Bill, Angel Alanis, Green Velvet, Misstress Barbara, Craze, Forest Green, DJ Shortee, Christopher Lawrence, Darude, Frankie Bones, Claude Von¬stroke, Plump DJ’s, DJ Icey, Vaski, Adam X, DJ Fixx, Antiserum, Dara, Atomic Babies, John B, Baby Anne, Wolfgang Gartner, Dieselboy, Micro and the list goes on. As of 2011, Beth had officially kicked off her new production label, “Break On Thru” Productions,” throwing full scale events in the Cincinnati area! You can also check out Lady Bandit under the alias DJ SazzaFrazz, playing Drum & Bass! Be sure to ¬catch this sexy lady in a city near you!
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Jeremy Daeger aka That Guy
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About

Jeremy Daeger credits the beginning of his musical career to his father who handed him a DJ setup at the ripe age of 14. A hand-me-down from the neighbors, Daeger never knew it would be the beginning of a lifelong passion and hobby.
Like many self-taught DJs, he learned the ropes through relentless practice at beat-matching and mixing records. When the 90’s hit, Daeger embedded himself in the burgeoning rave scene and felt a renewed connection to music.
Reflecting on his earliest work experimenting with electronic music, Daeger explains, “I started with house music because it was a 4/4 style and easy to beat match.” It wasn’t long before he discovered the style of breaks in 2003, allowing him to branch out into new musical territory and leverage his love for hip hop and funk. “It’s more than just a beat,” Daeger says of his special blend of break beats and groovy jams. “It has vocals and familiar rhythms that people can really get into.”
An active member of the G9 Collective since 2009, That Guy The DJ’s distinct blend of hip hop and break beats further diversifies the well-rounded group of DJs. Mixing bass, funk and rhythms to make you want to dance, That Guy The DJ delivers guilty pleasures from your radio and iPod, but with more energy and sophistication.
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